Cameron Park is an arts administrator working in marketing and communications, with the occasional piece of producer work thrown in for good measure. They currently work for STRUT Dance and have previously worked in Arts & Culture for The City of Karratha and Lawson Flats. Through his work with STRUT, Cameron employs a well-developed skillset in photography, videography, writing, and graphic design. They believe art marketing (artketing) should be inclusive, decisive and the right ratio of poetic:gettable.

Outside of earning a living wage, Cameron is a self-taught dancer with a background in street dance and non-institutionalised styles, now intersecting with contemporary dance. Cameron is also a sound designer, composer and constructor working in ambient bioelectronics, intimate field recordings, and built analogue synthesis for dance and live music performance. Across all forms, their work pursues realness, criticality, liveness, nuance, and a respect for the audience.

Recent original work includes Conference On Hope (2025) by Zendra Giraudo & Eliza Smith (set and sound construction, movement devisor), Meteor-i-bite (2024) by Georgia van Gils (composition and live performance), Echoes of Expansion (2024) by Elsa Bignell & Meg Scheffers (composition), and When the poems do what they do (2023) by Heritier Kasanda for the Fremantle Biennale (composition and live performance). Cameron danced in Coalescing Towards (2023) by Michele Rizzo for STRUT Dance/Perth Festival (Perth Moves) and Open Third (2021) by Mitchell Aldridge for STRUT Dance (SITU-8: Hotel). He recently participated in Secondment Week with Dancenorth and the boorda yeyi Foundational Symposium by Perth Institute of Contemporary Art.