Cameron Park is a self-taught dancer with a background in street dance and non-institutionalised styles, now intersecting with contemporary dance. Cameron is also a sound designer, composer and constructor working in ambient bioelectronics, intimate field recordings, and built analogue synthesis for dance and live music performance. Across all forms, their work pursues realness, criticality, liveness, nuance, and a respect for the audience.

Recent original work includes Conference On Hope (2025) by Zendra Giraudo & Eliza Smith (set and sound construction, movement devisor), Meteor-i-bite (2024) by Georgia van Gils (composition and live performance), Echoes of Expansion (2024) by Elsa Bignell & Meg Scheffers (composition), and When the poems do what they do (2023) by Heritier Kasanda for the Fremantle Biennale (composition and live performance). Cameron danced in Coalescing Towards (2023) by Michele Rizzo for STRUT Dance/Perth Festival (Perth Moves) and Open Third (2021) by Mitchell Aldridge for STRUT Dance (SITU-8: Hotel). He recently participated in Secondment Week with Dancenorth and the boorda yeyi Foundational Symposium by Perth Institute of Contemporary Art.