Eisa Jocson + Venuri Pereira

Eisa Jocson is a contemporary choreographer and dancer from the Philippines, trained as a visual artist, with a background in ballet. With her work she exposes body politics in the service and entertainment industry as seen through the unique socioeconomic lens of the Philippines. She studies how the body moves and what conditions make it move – be it social mobility or movement out of Philippines through migrant work. In her creations – from pole to macho dancing and hostess work, to Disney princess to Superwoman and to Zoo animals – capital is the driving force of movement pushing the indentured body into spatial geographies. Jocson has toured extensively in major contemporary festivals with her solo triptych: “Death of the Pole Dancer” (2011), “Macho Dancer” (2013) and “Host” (2015) and with the HAPPYLAND series, produced by Mousonturm: “Princess” (2017), “Your Highness” (2017), “Manila Zoo” (2021). “The Filipino Superwoman Band” (2019), a work on the affective labor of Overseas Filipino Musicians was commissioned by Sharjah Biennale. She is a recipient of the 2018 Cultural Centre of the Philippines 13 Artists Award, the winner of Hugo Boss Asia Art Award in 2019, received the 2021 SeMa-HANA Award for the work TFSB2020: Superwoman, Empire Of Care at the Seoul MediaCity Biennale, and the recipient of Tabori International Award 2023.

Venuri Pereira is a choreographer, performance artist, curator and educator from Colombo. Exploring the power dynamics of visibility and opacity, she attempts to destabilise how we perceive the ‘other’. Her solo and collaborative creations deal with violent nationalism, patriarchy, immigration, colonial heritage and class and were invited to festivals/biennales/symposia across Europe, South and East Asia, the Middle East and Africa since 2008. She has closely collaborated with choreographers Geumhyung Jeong and Natsuko Tezuka. Venuri conceived and curated the projects of the Colombo Dance Platform (2015–2020, Goethe-Institut) and is committed to continuing to create support networks for the independent dance scene in Sri Lanka. A graduate of DAS Theatre, she is currently based in Amsterdam.

Acknowledgement of Country

Strut Dance acknowledges and pays respect to the past, present and future Traditional Custodians and Elders of this nation and the continuation of cultural, spiritual and educational practices of Aboriginal and Torres Strait Islander people.

Aboriginal and Torres Strait Islander peoples should be aware that this website may contain images or names of people who have passed away.

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